“What you see on the news is a story 150 years in the making,” says the scrolling text in the first trailer for Ava DuVernay’s The 13th, a documentary about race in America.
The Netflix project examines why the US has produced the highest rate of incarceration in the world, with the majority of those imprisoned being African American. The title of the film refers to the 13th amendment to the constitution: “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.”
Beginning with DW Griffith’s technically groundbreaking but profoundly racist 1915 film The Birth of a Nation, The 13th is reported to take in the civil rights movement, the 1994 Crime Bill, which extended the death penalty and encouraged states to lengthen prison sentences, and the surge of the Black Lives Matter movement. It makes its debut on Friday at the New York film festival, the first non-fiction film to ever do so. The festival director and selection committee chair, Kent Jones, has said in a statement that The 13th is a “great film” and “an act of true patriotism”.
The trailer sets up DuVernay’s documentary as a provocative a mix of archival footage and testimonies from activists, politicians and historians, including Michelle Alexander, Bryan Stevenson, Van Jones, Newt Gingrich, Angela Davis, Senator Cory Booker, Grover Norquist, Khalil Muhammad, Craig DeRoche, Shaka Senghor, Malkia Cyril and Henry Louis Gates Jr. Hillary Clinton’s controversial “super-predators” remark from a 1996 speech also makes an appearance.
The 13th debuts on Netflix and in select theaters on 7 October, DuVernay, best known for directing 2014’s Oscar-nominated Selma, had kept the project a secret from the public during its production. She is currently preparing her first big-budget film for Disney, an adaptation of Madeleine L’Engle’s sci-fi classic A Wrinkle in Time, starring Reese Witherspoon and Mindy Kaling.
- This piece was amended on 26 September 2016; The 13th is not DuVernay’s first documentary.